13 July: St. Ezra (Esdras), Old Testament Scribe and spectacular baroque musical weirdness

Today is the feast of St. Ezra or Esdras.

In the 5th c. BC, the Persian Artaxerxes allowed a scribe named Ezra to return to Jerusalem to restore the Temple worship and the law of Moses.  At Jerusalem he finds that the people have fallen into pagan practices.  Some years later, Nehemiah will go to Jerusalem.

Some of you may not know that Holy Church considers many Old Testament figures to be saints.  You can find them commemorated in the pages of the Martyrologium Romanum.  Today, we have…

2. Commemoratio santi Esdrae, sacerdotis et scribae, qui, tempore Artaxerxis regis Persarum, Babylone in Iudaeam rediens populum dispersum congregavit et omni studio enisus est, ut legem Domini investigaret, impleret et doceret in Israel.

You can give us your own perfect but still smooth and elegant version in English.

Here is a pic from A Catholic Introduction to the Bible: The Old Testament by John Bergsma and Brant Pitre published by Ignatius Press.  It shows the variant divisions of books, across the different versions.  As you can see, it’s complicated.

I warmly recommend this book, especially to my fellow priests.

US HERE– UK HERE

Speaking of Artaxerxes…

I can’t help but mention one of the more enlightening but weirdest baroque operas I have ever seen, Artaserse by Leonardo Vinci after a libretto by Metastasio.  It premiered in Rome in 1730 in a theater on the Via Margutta (which I wrote about during my last trip to Rome… the street, not the theater).  In those days, women were forbidden on the stage, and so male sopranos and castrati, also en travesti, sang the roles.

Now for the weird.

There was a production of Artaserse in 2012 with an all male cast, of countertenors.  It was an odd thing to watch, since the artistic approach seemed to blend in support aspects of Japanese Noh theater.  This is reflected in makeup and the fact that you see the stagehands in black, as if they are “invisible” and you are taken out of the stage and into the wings, which becomes part of the stage as a result. US HERE – UK HERE

It is hard to imagine that a male, human voice can do some of these things.

You have to imagine an over-the-top baroque theater in Rome in the early 18th century, full of people with wigs and snuff boxes, perhaps wearing cloaks and masks. 

The opera premiered during carnovale on 4 Feb 1730. The old Benedict XIII, Orsini, once a Dominican friar, would die on 21 February. He had dedicated the Spanish Steps built by the French as a gift to the city (and their own glory). He was a terrible ruler as Pope – may have been, as we know – and allowed a corrupt cardinal to run amok, later excommunicated by Clement XII.  Benedict’s cause has been opened and closed and opened several times, including in 2017!  He is instantly recognizable.

Try to get your mind around the fact that, in 1730, these singers, especially the famous castrati, were fanatically acclaimed, more than great rock stars of our day. People went nuts for them. Composers, such as Handel, wrote operas around their voices, to showcase them.

Here’s Franco Fagioli… yes, you read that right… with “Vo solcando un mar crud”.

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Artaxerxes… Ezra… Artaserse… Fagioli.  That’s how we got here.

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Daily Rome Shot 216

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Whole Lotta Shakin’ Going On!

Yesterday, Italy beat England in soccer (football) to win the European Championship.

When Italy won, the cheer in Rome was apparently so great that it showed up on seismographs that measure earthquakes.

Which reminded me of one of the most amazing things I’ve ever heard.  It was at the funeral of Pope John Paul II.  At the very end, when the pall bearers were carrying his coffin back into the Basilica, the turned a 180 for a moment, as if saying a final good bye.   A shout went up from the piazza and nearby streets, jammed with people and coordinated with huge video screens.  That shout rolled out over the City and echoed back.  It was probably the single loudest purely human sound in the history of Rome.

Which reminded me of one of the poems of Horace (+ 8 BC).  In Ode 1.20, Horace celebrates the day that his patron and a close ally of Augustus returned to public life after an illness. When Maecenas entered the Theater of Pompeii (exactly in my old neighborhood which I hope to see again in October), a great shout went up from the crowds which echoed off the Vatican Hill (taller then).  It’s about drinking Horace’s humble homemade wine at his country villa, the legendary Sabine Farm, with Maecenas, who could afford the expensive vintages, Falernian, Caecuban, Formian.

Vile potabis modicis Sabinum
cantharis, Graeca quod ego ipse testa
conditum levi, datus in theatro
cum tibi plausus,

care Maecenas eques, ut paterni
fluminis ripae simul et iocosa
redderet laudes tibi Vaticani
montis imago.

Caecubum et prelo domitam Caleno
tu bibes uvam: mea nec Falernae
temperant vites neque Formiani
pocula colles.

Come, drink with me — cheap Sabine, to be
sure, and out of common tankards, yet wine
that I with my own hand put up and sealed in
a Grecian jar, on the day,
dear Knight Maecenas, when such applause was
paid thee in the Theatre that with one accord
the banks of thy native stream and the sportive
echo of Mount Vatican returned thy praises.
Then thou shalt drink Caecuban and the juice
of grapes crushed by Cales’ presses; my cups
are flavoured neither with the product of
Falernum’s vines nor of the Formian hills.

Maecenas was the immensely wealthy patron of culture, philanthropist, and benefactor to poet’s like Horace during Augustus Caesar’s reign.

And, by the way, today 12 July rather than the real day tomorrow, the birth of Augustus’ adoptive father, Gaius Julius Caesar was celebrated in Rome so that it would not interfere with a festival of some pagan deity or other, perhaps Apollo.

That Falernian was from the Ager Falernus in Campania some 30 miles north of Naples at Mt. Massico.  An enterprising fellow did some research to see if he could make wine worthy of the name right there. He came up with Falerno del Massico.  If you want something sort of like it get a good Aglianico.  But remember that ancient Romans drank their wine cut with water.  There was different word for uncut wine: merum – used by St. Thomas Aquinas in his great Sequence about the Eucharist and also flung by Cicero (which means “chickpea”) in his Philippics into the teeth of another, at least temporary ally of Octavian Augustus, Marcus Antonius.    Because of Cicero’s savage attacks Mark Antony eventually had Cicero beheaded and his hands cut off, which were subsequently nailed to the doors of the Senate.  According to Dio Cassius, Antony’s wife Fulvia (immortalized in the worst way by Martial, another beneficiary of Maecenas, who quotes Augustus’ own soldierly, even martial, epigram about her – absolutely not for the fragile), pulled Cicero’s tongue out and stabbed it over and over with a pen/stylus because of his invective.  She had once been married to Public Clodius Pulcher, after all.  And you know how that went!

Horace was the poet who gave us the phrase “carpe diem… seize the day” (… not to mention “nunc est bibendum“).   An expression whose sentiment is found in the famous Student Song, Gaudeamus igitur.  Not to be confused with the Gaudeamus introit.

One of the verses celebrates the patria and also benefactors of the students.

Vivat et respublica,
Et qui illam regit,
Vivat nostra civitas,
Maecenatum caritas,
Quae nos hic protegit.

Long live the republic as well
And he who rules it!
Long live our city,
the charity of benefactors
Which protects us here!

Use your phone’s
camera.

Note that here “benefactors” are called “Maecenases”.

I feel like singing this verse when a donation comes in from you my benefactors who send monthly or ad hoc, or when something comes from my wishlist, or the Vemno bell chings.   You are my protectors.  It is my duty and pleasure to pray for you.

And did you know that the Michelin Man’s name is “Bibendum”?   As in “It’s time to drink some merum! Falernian!)

Lest you tire of more of this….

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Coalition For Cancelled Priests

I call to your attention a group that had been formed called Coalition For Cancelled Priests.

There are, it is said – and I believe it – hundreds of cancelled priests in these USA, languishing in limbo.   There are various reasons why they were cancelled and each case has a couple of sides.  However, in a great many cases these men are disappeared for the convenience of autocrats bureaucrats rather than for the true good of souls, in particular the soul of the priest himself.

It is an issue that is close to my heart for obvious reasons.

Right now the case of Fr. Altman is pretty dominating the narrative about this and sucking all the oxygen out of the room for other priests who have been dealing with being cancelled for a heck of a lot longer than he has been.

Let’s not forget these men.

The Coalition For Cancelled Priests (CFCP) could be a godsend for some of these good men who have been sidelined and, often, ruined by their bishops.

There is a “Contact” form on their site.  Consider asking what you can do to help.

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ASK FATHER: Priest refers to his role as “waiter” not “bouncer”.

From a reader…

QUAERITUR:

I heard a priest refer to his role as, “not the bouncer to the Eucharistic banquet but the server [as in waiter].”Most analogies fall flat, but this one hit a dissonant chord that I can’t quite resolve with the right explanation. Could you expand on how we can think of the priest at mass. He is offering Christ’s sacrifice but also in persona Christi. Is he actually Christ or just our Lord’s representative?

You are right to underscore that analogies often limp, to the point that they fall flat.

First, that business about not being the “bouncer” strikes me as smarmy virtue signaling tied into the present “coherence” debate.  Infra dignitatem.

No one replaces the Lord.  However, the Lord, through the ordained, sacramental priesthood gives to men, empowers them, to act “in persona Christi… in the person of Christ”.  The priest, when acting as priest in the sacred liturgical action, is “alter Christus… another or ‘second’ Christ”.

We have to admit that there is a powerful dimension of “meal” or “banquet” present in each Holy Mass.  It must be so, since Mass is the renewal of the Last Supper.   At the same time, the Last Supper was left incomplete until the Cross when the Lord finally drank the final, fourth “cup” of that ritual Supper.  While the Supper chronologically preceded the Cross, the Cross gave the Supper its dynamic, salvific force.

Another point.  Let’s not forget that we are talking here about a “priest” and not just a “minister”.   Perhaps if your emphasis is on “minister” you might think about that guy up there as “the waiter” at “the meal”.  That is a pale, incomplete, pitifully limited-to-the-point-of-being-deceptive view of the Catholic priest.

In fact, the very concept of “priest” points unerringly to “sacrifice”.  Priests are for sacrifice.  That’s their raison d’être: to offer sacrifice.   It is not their primary job to serve meals.   From their role as priest, alter Christus, who offers The Sacrifice in persona Christi, they also have the ministry of distributing the fruits of that Sacrifice, the Eucharist to the faithful.  It’s not the other way around.

Moreover, we have to view the priest not just as the one who offers the Sacrifice, but also as the Sacrifice being offered.  Christ was and is both the priest and the sacrificial victim.

If the priest is alter Christus, acting in persona Christi, then the priest at the altar during Mass is both, at the same time, the one who offers Sacrifice and the one who is sacrificed.

This fleshes out the fact that, at the consecration, the priest/victim says: Hoc est corpus MEUM… Hic est calix sanguinis MEI.

He IS Christ and he remains himself.  Think of how, when absolving your sins, the priest says, “EGO te absolvo… I absolve you”, not “Christus te absolvat…“.  Christ absolves in the person of the priest who is acting in the person of Christ.

What a mystery!  It is terrifying and alluring.  No one is worthy of this, but Christ works in  men anyway.

While the world swirls and ebbs and crashes about us priests, while we see priest after priest being cancelled by bishops – driven at times to material and spiritual ruin by the men who should honor and care for them the most – I take note of the old Carthusian motto: Stat crux dum volvitur orbis… While the world spins, the Cross stands still.  The Cross, therefore the Sacrifice of Christ, is the fixed point of the fullness of time.  The priest and the Cross are inseparable, for the whole reason of the priest’s priesthood is to offer sacrifice, to renew the Sacrifice of Calvary as alter Christus, in persona Christi capitis.

It is the understanding of the priest as one who offers the Sacrifice that gives any meaning to the priest as servant at the Eucharistic banquet.  Without the dimension of Sacrifice, the right view of priesthood, it is nearly inevitable that the moment of Communion will devolve, as it has far and wide, into the time when someone puts the white thing in your hand and then you sing a song.

There is a corrective.

Card. Sarah and Pope Benedict have a book that deals with priesthood, From The Depths Of Our Hearts:  US  HERE –  UK link HERE – French HERE.  The Church and her priesthood are in a serious crisis, as is clear from the remark of some priests that they are “waiters”.  Card. Sarah and Benedict get into the reasons why.

If the myriad options for the priest in this heaving world are confusing, and if there have been deep flaws in the formation of priests – as Sarah and Benedict hold – there is one thing that the priest can always do, without dependence on the permission or approval of any other, to shore up the dikes and battlements, to fill in the gaps and the breaches.

He can learn the Traditional Latin Mass.

A compelling reason to learn it, Fathers, is because, clerical and lay alike, we are our rites.

Who is the Roman Catholic priest if he doesn’t know his own Rite?  Who is he?

If you don’t know your Traditional Roman Rite, then you don’t know the Roman Rite.

Think about that when you contemplate our bishops.  Do they know it?  Who are they?

Not to worry, as time passes and men move into and out of those big chairs, pretty soon the choices will narrow with the diminishing numbers of priests.  The young men being ordained for some time now want our tradition.  There will be a growing number of them among the bishops some day by sheer force of changing numbers of available candidates.  I may see it in my lifetime.  I can hardly wait.

One of the things that is “rumored” to be in the “rumored” curtailing of Summorum Pontificum is that it would limit the newly ordained from saying the Traditional Mass.

ROFL!

Why?  Because tradition-reticent bishops who whine about Summorum hear more and more often that their newly ordained priests want to say their 1st Holy Mass in the Traditional Roman Rite!  They fear what they don’t understand.

Be afraid!  Be very afraid.

A document that would curtail Summorum wouldn’t be a wet blanket.  It would be rocket fuel.

So, back to the top.

Many priests are confused about who they are.  In most cases, it isn’t their fault.  Their formation was…  sub-optimal.  They are well motivated.  They are often really good in their roles.

Imagine how much more they could be with a deeper priestly identity, one enriched with the Traditional Roman Rite.

Help your priests be priests by treating them as priests.

Ask for their blessing.  Affirm the good things they do.  Ask questions.   Offer to help in any way you can for learning the older form.  Get more people to do the same… joyfully, relentlessly.

We are our Rites.

Posted in "How To..." - Practical Notes, ASK FATHER Question Box, Hard-Identity Catholicism, Priests and Priesthood, Seminarians and Seminaries | Tagged , , , ,
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Daily Rome Shot 215

Photo by The Great Roman™

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VIDEO: A close look at the pipe organ and the Cathedral Basilica of St. Louis

The Second Vatican Council said that the pipe organ had pride of place among all the instruments used in church for sacred music.  The pipe organ is the “king of instruments”.

Here is a super-geeky close examination of the massive pipe organs in the Cathedral Basilica of St. Louis, certainly one of the grandest churches in these USA.

Firstly, the close look at the pipes and mechanisms of these organs is pretty amazing. You can learn a lot about how they work from this video.

However, a super benefit of the video is the view of the church. You see the interior of the magnificent basilica from angles that you couldn’t possibly arrive at on your own. Even if you know the church well, this video will still delight.

Check it out.

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ASK FATHER: Do priests who celebrate only in the vernacular really know what they are saying?

From a reader….

QUAERITUR:

I recently discovered the SCDF declaration Instauratio liturgica (Jan. 25, 1974), which says that the meaning of a translated sacramental formula is that of the original Latin, understood according to the mind of the Church.

Especially in the case of not-so-literal translations, this means that, ironically, priests who celebrate sacraments in the vernacular might not actually know what they’re saying. Of course, they understand the vernacular words, but unless they understand them in the same sense as the Latin, which they may have never seen, they don’t fully understand what they’re saying.

To take a concrete example that comes to mind, Bishops’ Conferences have fought to keep from translating “pro multis” literally—successfully in the case of the new Italian Missal. But the Italian priest who says, “per tutti,” is actually saying, “pro multis,” and probably doesn’t know it. I find this terribly ironic given the criticism of priests who say Mass in Latin without understanding well what they’re saying.

The irony flows like a waterfall in spring.

While there is not a manifest question here, there are several implicit questions.

Firstly, can Latin Rite priests really know what the prayer really says if they don’t know Latin?  “What does the prayer really say?”, is an important aspect of prayer, you would think.  It is important for sacred liturgical worship.

Over the many years that I wrote my weekly columns on liturgical translation of the collects, etc., in both the Novus Ordo and the Vetus Ordo, I discovered layers of meaning in the vocabulary and structure that simply can’t be brought into a smooth English version.

If sacramental forms are to be understood according to how the Church understands the LATIN, then that is also the case for the other prayers, such as collects, the Prefaces, the Canon, etc. etc.

I ask often, what does it mean for a community when their priest doesn’t know the language of his own Rite?

Imagine for a moment that a university’s French Department would hire a professor who couldn’t read French.  Imagine for a moment that a medical school would pass through someone who couldn’t pass gross anatomy.    Although I did hear something as deeply stupid as it was troubling the other day.  The Classics Department of a major university has dropped the requirement to learn Greek and Latin.   That means that the dupes who go through the program, at great expense, will get a half-assed degree and, worse, be at the mercy of other people’s translations.

Which sounds exactly like the present state of affairs in Catholic seminaries.

A priest of the Latin Church who doesn’t know enough Latin to celebrate his own Rite is… what?

Another implicit question is, why is this the case? Why is there no Latin when can. 249 explicitly says that seminarians are to be “very well formed” in Latin?

I’m not making that up.

Can. 249 — Institutionis sacerdotalis Ratione provideatur ut alumni non tantum accurate linguam patriam edoceantur, sed etiam linguam latinam bene calleant necnon congruam habeant cognitionem alienarum linguarum, quarum scientia ad eorum formationem aut ad ministerium pastorale exercendum necessaria vel utilis videatur.

How is this translated on the Vatican website?

Can. 249 The program of priestly formation is to provide that students not only are carefully taught their native language but also understand Latin well [FAIL!] and have a suitable understanding of those foreign languages which seem necessary or useful for their formation or for the exercise of pastoral ministry.

Calleo is “to be practiced, to be wise by experience, to be skillful, versed in” or “to know by experience or practice, to know, have the knowledge of, understand”.  Sure, “understand” can translate calleant, but in this context that is the weakest of our choices.  We get the word “callused” from calleo.  We develop calluses when we do something repeatedly.

So, calleo is already “well versed/skilled”. Then bene calleant is “let them be very well versed/skilled”.

Review also Sacrosanctum Concilium 36 and Optatam totius 13, just to point to documents of Vatican II. … unless you “HATE VATICAN II!”, as the libs throw about.

Oh… and by the way… when rectors or others stand up during ordinations to attest before God that the men to be ordained for the Latin Church have been properly trained…. is that true if they have no Latin?

So what are they stating before God and the Church?  Are they telling the truth?  Not objectively, they aren’t.

Latin is necessary.  Its benefits are so numerous that they shouldn’t have to be enumerated.

And yet we are faced today with a clergy of the LATIN Church who are nearly totally ignorant of Latin!

Pope John XXIII in 1962 famously issued an Apostolic Constitution – not some mere encyclical – an Apostolic Constitution called Veterum sapientia in which he mandated the preservation of and teaching and use of Latin.   I am not sure there was another document as blatantly ignored as Veterum sapientia, unless perhaps Ex corde Ecclesiae.

This disastrous situation didn’t happen by mistake.  It was engineered.

The Modernists who had taken the reins with the Council and beyond knew full well that to change the Church’s trajectory into becoming a sort of NGO for globalist unity, they had to unhitch the Church from her moorings. They had to destroy the culture, the ethos of the priesthood.  They had to slam shut the treasury of sacred music, the beauty of which connects people to the Truth.  They had to dumb-down everything so that people would be more susceptible to the “wisdom of this world” that Paul warns against.

The key was the suppression of Latin.

Latin militates against the Modernist project precisely for the reasons John XXIII laid down, as Pius XI had before him.

Thus the “knowledge and use of this language,” so intimately bound up with the Church’s life, “is important not so much on cultural or literary grounds, as for religious reasons.” These are the words of Our Predecessor Pius XI, who conducted a scientific inquiry into this whole subject, and indicated three qualities of the Latin language which harmonize to a remarkable degree with the Church’s nature. “For the Church, precisely because it embraces all nations and is destined to endure to the end of time … of its very nature requires a language which is universal, immutable, and non-vernacular.”

Note that reference to the Church’s nature.

They had to get rid of Latin.

We have to reclaim our Catholic identity.  This is why Latin liturgical worship is important in the face of the cataclysmic demographic sinkhole that is opening up under the Church.

And for those who mewl about Latin being “toooo haaard” or that there are “more impoooortant things to doooo”….

Scorn.

No.

Multitask.  Do the important things remembering that Latin is one of them.

If you can’t learn Latin, then… what are you doing?  Who are you?

Posted in Canon Law, Hard-Identity Catholicism, Latin, Mail from priests, Priests and Priesthood, Save The Liturgy - Save The World, Seminarians and Seminaries, The Drill, The future and our choices, WDTPRS | Tagged , , ,
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Daily Rome Shot 214

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BOOK: The Trouble with Magic: Our Failed Search for More and Christ’s fulfillment of our Desires

A priest friend of mine has published an interesting book about magicwitchcraft.

The Trouble with Magic: Our Failed Search for More and Christ’s fulfillment of our Desires
by Fr. Cliff Ermatinger

US HERE – UK HERE (newly added)

I haven’t read this yet, but I look forward to it.  I’ve been talking to the writer by phone while he has been working on it.  It’s intriguing.   Here’s the description:

The original temptation of Adam and Eve is often depicted as a trivial thing, with our first parents gaining more than they had lost – the ability to choose for themselves good and evil. In this book Father Cliff Ermatinger shows us how what was lost, was far more precious than realized, what was acquired far more reaching in its damage than suspected, and the lengths that God would undergo to restore His lost creation more majestic than imaginable.

The reader is enjoined to come along on an examination of everything that brought humanity to this point in time: from a tree in the garden long ago, mankind’s tendencies towards superstition and turning to gods that cannot save, to the modern shaman in the corner shop that goes by other names: Tarot reader, Yoga guru, , Healer, Social Engineering Overlord. In the end, it is all the trouble with magic.

But this is not the end, for, as Father Ermatinger lays out, God’s ways are not our ways, and He will make straight that which we have broken while bringing the broken human person beyond the lost Eden into perfect communion with Himself.

His other titles are also worth your time! For example:

Rescued from Satan: 14 People Recount their Journey from Demonic Possession to Liberation

The Devil’s Role in the Spiritual Life: St. John of the Cross’ Teaching on Satan’s Involvement in Every Stage of Spiritual Growth

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