I was sent a question about the Latin of Universae Ecclesiae 22.
Friends, the more I look compare the Latin and the Released English “translation”, the more apparent it is that the Latin is a better, stronger document than the English – as it stands.
Therefore, if you hear someone running down Universae Ecclesiae in some way, or trying to diminish its implications, you may want to look together at the Latin version in order to verify whether there criticism holds up. Obvious, no?
Here is UE 22:
22 – In Dioecesibus ubi desint sacerdotes idonei, fas est Episcopis dioecesanis iuvamen a sacerdotibus Institutorum a Pontificia Commissione Ecclesia Dei erectorum exposcere, sive ut celebrent, sive ut ipsam artem celebrandi doceant.
RELEASED ENGLISH:
22. In Dioceses without qualified priests, Diocesan Bishops can request assistance from priests of the Institutes erected by the Pontifical Commission Ecclesia Dei, either to the celebrate the forma extraordinaria or to teach others how to celebrate it.
Exposco is more than simple “ask”. It has at least the force of posco, which is “to ask for urgently; to beg, demand, request, desire”. Exposco is “to ask earnestly, to beg, request, to entreat, implore”.
But, back to fas est. Fas, as a word in Canon Law, isn’t as strong as nefas is in its negative sense. If nefas really really bad. In Canon Law nefas is applied to things such as selling the Eucharist or relics or violating the Seal of confession. Nefas is something like “intolerable” or “really-super-bad”. On the other hand, fas is not “really good” or “praiseworthy”. It fas isn’t as forceful as a positive as nefas is as a negative. But, fas est is more than “can”… the bishop can ask help. Of course, he can ask for help. That’s obvious, isn’t it?
Would anyone have ever suggested that a bishop can’t ask for help from, say, the FSSP? Absurd.
So, while fas est episcopis exposcere isn’t “it is a super-dandy thing for bishops to implore”, it is more than “bishops can ask”.
I contacted three canonists about this fas est. Canonists #1 and #2 aid that it has the implication of something laudable, but without the same force as nefas is a negative. Canonist #3 saw it as merely a way to make the point an obvious point. I am not using the majority-wins-thing here, particularly because of the esteem with which I hold Canonist #3.
I will go with “an obvious thing for diocesan bishops to do is …”
WDTPRS VERSION:
22. In Dioceses where qualified priests are lacking, an obvious thing for diocesan bishops to do is earnestly to ask assistance from priests of Institutes set up by the Pontifical Commission “Ecclesia Dei“, either in order that they celebrate [Extraordinary Form’s rites] or that they teach the art of celebrating (artem celebrandi).
RELEASED ENGLISH (again):
22. In Dioceses without qualified priests, Diocesan Bishops can request assistance from priests of the Institutes erected by the Pontifical Commission Ecclesia Dei, either to the celebrate the forma extraordinaria or to teach others how to celebrate it.
That ars celebrandi is becoming a term of art, if you’ll pardon the pun. Ars celebrandi was an important topic of discussion during the 2006 Synod on the Eucharist and then in Benedict XVI’s Post-Synodal Exhortation Sacramentum caritatis.
Let’s look at the section in Sacramentum caritatis.
Ars celebrandi
38. In the course of the Synod, there was frequent insistence on the need to avoid any antithesis between the ars celebrandi, the art of proper celebration, and the full, active and fruitful participation of all the faithful. The primary way to foster the participation of the People of God in the sacred rite is the proper celebration of the rite itself. The ars celebrandi is the best way to ensure their actuosa participatio. The ars celebrandi is the fruit of faithful adherence to the liturgical norms in all their richness; indeed, for two thousand years this way of celebrating has sustained the faith life of all believers, called to take part in the celebration as the People of God, a royal priesthood, a holy nation (cf. 1 Pet 2:4-5, 9) (115).
The Bishop, celebrant par excellence
[…]
Respect for the liturgical books and the richness of signs
[…]
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Art at the service of the liturgy
[…]
Liturgical song
[…]
Moreover, during a Q&A session the Pope once responded to a question from a priest from the Diocese of Albano, Italy. My emphases and comments.
Q: As priests, we are called to celebrate a “serious, simple and beautiful liturgy,” to use a beautiful formula contained in the document “Communicating the Gospel in a Changing World” by the Italian bishops. Holy Father, can you help us to understand how all this can be expressed in the “ars celebrandi?”
B16: … “(A)rs celebrandi” is not intended as an invitation to some sort of theater or show, but to an interiority that makes itself felt and becomes acceptable and evident to the people taking part. [How many times have I said that once a priest learns to say the older form of Mass, that experience changes the way he says the newer form. Also, a good experience of the newer form will impress also on the priest using the older form that there are people out there. Congregations are over time deeply affected by the priest’s modus, hopefully ars celebrandi. The greater the number of priests who learn to say the older form, the faster and the deeper liturgical renewal will be implemented in the Church, with the subsequent changes among God’s people and their corners of the world.] Only if they see that this is not an exterior or spectacular “ars” — we are not actors! — but the expression of the journey of our heart that attracts their hearts too, will the liturgy become beautiful, will it become the communion with the Lord of all who are present. Of course, external things must also be associated with this fundamental condition, expressed in St. Benedict’s words: “Mens concordet voci” — the heart is truly raised, uplifted to the Lord. We must learn to say the words properly. [Sounds like UE 20 -b, doesn’t it?]
Sometimes, when I was still a teacher in my country, young people had read the sacred Scriptures. And they read them as one reads the text of a poem one has not understood. Naturally, to learn to say words correctly one must first understand the text with its drama, with its immediacy. It is the same for the Preface and for the Eucharistic Prayer. [Of course the Canon is silent in the Extraordinary Form. There are, however, many ways to “speak”.]
[…]Thus, the words must be pronounced properly. There must then be an adequate preparation. Altar servers must know what to do; lectors must be truly experienced speakers. Then the choir, the singing, should be rehearsed: And let the altar be properly decorated. All this, even if it is a matter of many practical things, is part of the “ars celebrandi.”
That ars celebrandi in UE suggests to me that there is something the Extraordinary Form can teach the Ordinary Form and vice versa.